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The Magpie Developer
Jeff Atwood is one of the best programmer/writers around. I love reading his stuff, some I agree wholeheartedly with, other stuff we disagree, but this post is about a dead-on as they come. This idea has been floating in my head for a long time, but it is hard for me to conceptualize it in words, Atwood does a brilliant job at it. Must read for any developer. |
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Andy Olmsted's Last Blog Entry.
(Warning: Pretty rough) No matter how you feel politically about the war, this reminds you that each number people throw around as statistics is a human life. This is extremely well written, and pretty rough on your soul towards the end, but something everyone should read. Its a shitty situation all around, but there is always a human face behind the statistics and I want to make sure I never forget that. |
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Drinking stories that put yours to shame
Via Keith
To preserve his body during the voyage home, the second-in-command stored Nelson's body in the ship's vat of rum and halted all liquor rations to the crew. Not a bad idea, but when the ship reached port, officials went to retrieve Nelson's body and found the vat dry.
Disregarding good taste (in every sense), the crew had been secretly drinking from it the entire way home. After that, naval rum was referred to as Nelson's Blood. |
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making vodka pills in 24 hours
Recently, Chef Fabian was experimenting further with the Adria/Torreblanca technique of making 'vodka pills.' I use this word to describe the process of making liquid-filled candies by pouring flavored alcohol syrups into cornstarch and letting it set until a hard outer shell forms. |
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Strategy Letter VI - joelonsoftware.com
As a programmer, thanks to plummeting memory prices, and CPU speeds doubling every year, you had a choice. You could spend six months rewriting your inner loops in Assembler, or take six months off to play drums in a rock and roll band, and in either case, your program would run faster. Assembler programmers don’t have groupies.
Entire Article is Dead On. A must read for anyone in the software biz. |
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(Sunday, February 26)
My Favorite Visually Distinctive Movies in terms of art direction and creation (Artistic Style?)
You are probably wondering what exactly this list is about. Well I am also. I really don't know the term for it (and there might not be a term for it). Basically I am tying to come up with a list of movies that I thought had a specific 'artistic vision, when it came to the character's environment and the movie's setting. It is really hard for me to describe what I mean because I don't want to get it confused with movies that do a good job at recreating a time period in history via the set and/or special fx (ie Gladiator, Braveheart, etc) or that do a good job at creating a "foreign environment" (ie Aliens, etc). When I say foreign environment I just mean the creation of an environment the way we think it will be at some time in the future. With Alien, it was the future and the space setting was something that conceptually could be a space station in the future. What I am trying to categorize are movies that created something with a fantastic vision, and with that vision the art direction was able to implement it into the movie in such a way that was extremely new and refreshing. When I say fantastic I mean it in this sense:
extravagantly fanciful in design, construction, appearance; "Gaudi's fantastic architecture"
So, now that I have completely confused anyone who is reading this into wondering what the hell I actually am using for criteria for this list, it might help for you to see the movies me and my wife determined belonged on the list and look at the environments that they were shown and maybe you will see what I mean. (And if there is a term for it please let me know).
Dark Crystal
Probably what got me started on this list was I was trying to find some information on the new Dark Crystal movie. I loved the first movie when I was little, and I don't know if there are many other movies that influenced the way I dreamt for such a long time. The concept creator (and person who came up with the actual costuming/puppets) came up with such a dark, torrmented creature when they came up with the Skesis.
I mean these were some pretty scary puppets, yet even as a kid I knew that they were the bad guys because of how visual unappealing they were. When you compare them to Geflings or the Uru, who have faces that are somewhat smooth and visually appealing, the Skesis look like raisin's with beaks. The kink in this theory comes from Augra who helps the two main Gelflings, but is still pretty fucking ugly.
Anyways, The settings of the whole movie are extremely dark and very "earth-toney" (Did I just make up a word?).

Anytime we see the Skesis they are surounded by an environment of jagged edges, and when we see the Gelflings, it is harmonious circles and smooth surfaces.

Certainly one of the coolest movies I watched as a kid, and probably at the core of it one of the most visually dark movies.
Labyrinth "Whose got the baby with the voodoo?"
Another kids movie that I probably wore down the vcr tape heads with my tv recorded version of the movie when I was little. I really don't even need to describe how visually stunning this movie was (and also how visually stunning Jennifer Connely is also [HOORAY for Requiem for a Dream!]) from the characters:
Hoggle:
Sir Didamus:
to the perfect casting of Bowie for Janeth. The MC Hammer-Escher-esque (made up word count: 2) stairwell scenes
and one of my favorite scenes of all times with the 2 talking door knobs, all had very dark distinct visuals.
Moulin Rouge:
I honestly did not think I would enjoy anything where Obi-wan would be singing like a musical. The first time I saw this we rented the DVD and let me tell you, this is most certainly one of the best movies to have ever been made. The story, the characters, and most importantly the visuals, really make this one of the greats in my opinion. While the previous two movies I discussed were elegantly dark, this movie takes to the other side of the spectrum when it comes to the use of color. Every color stands out very well (very much like Sin City) but yet the palate for the entire movie just fits together so well. The same green that you see in the absinthe is the same green you see later on in the movie, maybe only a slight variation in the shade. It really works well through the movie. The rich red of the red velvet curtain is the same red as Satine's dress, etc. Also, one thing I really liked about the artistic vision in this movie is the great use of the absence of color.
In certain scenes like when Satine sings about diamonds (and all the stuff her character ends up willing to give up in the end) the color is very muted and very dull like one would think someone who only cares about that kind of stuff is.
Great Movie. Hands down, just a great movie. And I HATE musicals.
Batman Returns
Yes I loved Batman Begins. I thought it was a great movie and visually stunning in its own right. I also think Bale was the best Batman hands down (I am sure my wife would agree also), but there is just something about Tim Burton's Batman Returns that I enjoyed so much. It seemed to me that out of all the Batman movies, Burton's Gotham was just the darkest and dreariest (yes this might also be the fact that at the time period in batman's life that this movie was supposed to be in was also quite
possibly the more dreariest time for Gotham).
I really enjoyed the way that Devito's Penguin character looked also for some reason in this movie.
Catwoman's costuming was done well, but I really think when it comes down to visuals that the penguin was just an extraordinarily abhorrent character.
The Cell
I am sure as some people read this they are like "Is he talking about that J-Lo movie?" and yes I am. The visuals in the ending scenes of this movie, and some of the most artistic scenes I have seen in ANY movie ever. And J-Lo is just totally smokin.
I don't want to give anything away but the final set of scenes is just so perfect and elegantly evil that I don't know how else to describe them. The characters and what they are wearing is extremely intense and almost makes you want to pause the DVD and say "Who the hell would think to wrap that man's nipple with that gauge of wire?" but the result of all these small minute details and the VIVID use of color is just awesome.
Vincent Denofrio's character's costumes are extremely cool and ,in the most complementary way I can suggest it, would have been some pretty cool G.I. Joe character figures.
Also I have to give props to Vince Vaughn and J-Lo in this movie, both did a great job with the acting, and I can honestly say that after Swingers it was very hard for me to see Vince Vaughn and not laugh, but he does a really good job of "serious" acting in this movie.
The Village
Since we are on the topic of color, I don't know if there has ever been another movie that I have seen that has used color in such a perfect way as the story telling in The Village. The Yellow of the cloaks, the distinction of the red marks on the door against the normal black/white/green grass environment of the village, all create this distinct visual environment for this movie.
Another thing which I could not find a picture of was the blue of Bryce Howard's Eyes (who ironically plays the blind character). Which is very interesting because there was not much blue in the movie, and really nothing as bright as her eyes, and her eyes (and their use/non use) play a very big part of the movie.
Ok so thats 6. I also had a few honerable mentions:
Sin City - Pretty East to See the artistic style, but it parallel the graphic novel very closely, so I don't know who to really give credit to, the movie or the graphic novel artist.
The Matrix - Mostly do to special fx, but the original Matrix had a very distinct look, specifically within the Matrix it's self.
Beetle Juice - Can you honestly say you expected to see 2 Michael Keaton movies on the list of my most artistic movies of all time??! Well Bettle Juice was in an opium induced class of its own. The visuals matched with pseudo-claymation was pretty suave.
Saving Private Ryan - We were thinking about including this movie, not specifically for the awesome scenes, but only for the way the movie was filmed. I think the persistent shaking and way the camera follows the characters like the camera is another person running behind them in battle was great, and really added to the film.
Charlie & The Chocolate Factory (both versions) - Really don't need to explain why that much. I really enjoyed Burton's version as much as I enjoyed the original. For some reason scenes Charlie's slanted house right on the threshold of the city really tell a lot about the story for me.
Young Guns II - It really didnt have anything amazing artistic about it, but any movie with Jack Bauer, Gil Grissom, Aragorn, Cameron Frye, Will Scarlet, Ralph from Lord of the Flies, and a character with a last name of Chavez y Chavez deserves to be on any list of any movies and any time. (10 points for anyone that makes all the connections).
So what do you think? Please post any other movies you think are in the same class as these (because of artistic style) in the comments. I am going to try to get a hold of a copy of mirror mask sometime this week; I have heard it is pretty wild. Anyone else got any other suggestions?
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Disclaimer
The opinions expressed herein are my own personal opinions and do not represent my employer's view in anyway.
© Copyright 2003-2007, Eric Thompson |
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